Speaking with Brian Morton in The Wire 364, Franck Vigroux describes himself as part of a generation of composers in France “who’ve been trying to regenerate music theatre or hybrid forms. I can’t really analyse my ‘philosophy’, but I am particularly obsessed by the intrinsic nature of sound, which surprises me constantly. So I spend my time in the studio searching for sounds, using all sorts of machines and devices. For instance, I’ve just finished a record where I simply played an old guitar through an amplifier with very little additional in the way of effects but with a range of tones and overtones [accordages] – which then become the object of meticulous research.”

L’article entier ici : http://www.thewire.co.uk/video/watch_franck-vigroux_s_2024_video-by-fabien-zocco

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